
I still sketch and compose with pencil, paper, rulers, and ink. I do not fear technology, I couldn't even if I wanted to-it is a part of what I do. I have had my fill of computers, cables, upgrades, the latest and greatest, and various other bank account disasters. But music performed by a human with above average talent and passion is not to be replaced. Ever.
Computer music has it's place, I just don't appreciate the attempt to sell it as a replacement for the centuries of music that have always been performed and composed by a human, with a soul and fallability. This huge push towards the stiff, pretentious digital world becomes freakish. As an orchestrator you dread the "electronic" composer (whatever) that knows the right people and gets the job with a budget for live players. They simply rely too heavily on the piece of false security called a computer. Media Ventures London Phil string samples sound great, especially since they were recorded with huge string sections - but leave it at that, please. Having a few strings at a recording session is not going to magically pull it off.

Video games are fine, I'll play when the moment presents itself, but I don't want to see computer animation take over. It feels cold. Characters that don't really have any issues. They never experienced life, or death. I dig the logic involved with such evolutionary tools, computers and electronics, but I fail to see the utter urgency involved. Creepy to see so many people use video game characters to identify with. You start to get a feel for which illustration translates in to which personality. The music really became uninteresting in a hurry. Video game themes drive me up the wall. This is an instance where I am all for songs instead of score. Movie themes lose value for me as soon as the movie part of it all begins. I couldn't think of a reason to ever listen to video game music unless I was playing the game. I will not be spending any money to hear the L.A. Phil doing an evening of gaming music. The whole thought makes me nauseous. I really will not be showing up for an evening of film music either. It just isn't interesting anymore when I already know what a film score really is. I will not go in to it this posting, but I strongly disagree with everything that goes down with scoring. Musicians ripping off musicians, composers ripping off composers, my all time worst finding - orchestrators ripping off other orchestrators. That's one hell of a payoff for an individual that takes the time and discipline needed to learn such a craft. What exactly does it mean when all the seasoned individuals choose to no longer support the younger up and comers?

Who in the music community really strives to aid composers, composition, and musical art? "
Money can't buy happiness, but neither can poverty"
Leo Rosten (1908 - )